Vows, Veils, and Masks offers a bold and timely approach to the plays of Eugene O鈥橬eill with its attention to the engagements, weddings, and marriages so crucial to the tragic action in O鈥橬eill鈥檚 works. Specifically, the book examines the culturally sanctioned traditions and gender roles that underscored marital life in the early twentieth century, and that still haunt and define love and partnership in the modern age.
Weaving in artifacts like advice columns, advertisements, theatrical reviews, and even the lived experiences of the actors who brought O鈥橬eill鈥檚 wife characters to life, Beth Wynstra points to new ways of seeing and empathizing with those who are betrothed and new possibilities for reading marriage in literary and dramatic works. She suggests that the various ways women were, and still are, expected to divert from their true ambitions, desires, and selves in the service of appropriate wifely behavior is a detrimental performance and one at the crux of O鈥橬eill鈥檚 marital tragedies. This book invites more inclusive and nuanced ways of thinking about the choices married characters must make and the roles they play, both on and off the stage.
鈥淒ue to her fresh approach to womanhood in O鈥橬eill鈥檚 plays, Wynstra contributes to the rejuvenation of the studies on the playwright. She convincingly makes her case against the restrictive labeling of female/male behaviors in O鈥橬eill鈥檚 pieces and deconstructs an analytical trend, which tends to disregard the cultural patterns that underpinned marital life.鈥濃擡meline Jouve, author, Unspeakable Acts: Murder by Women
鈥淲ynstra argues persuasively against common notions of women/wives as 鈥榲illains鈥 in many of O鈥橬eill鈥檚 plays, and provides a cultural context that defines them more sympathetically. Her book offers a timely and compelling contribution to O鈥橬eill studies and American theatre history. Its contemporary cultural relevance on gender-based social issues extends its appeal to an even broader audience.鈥濃擲teven F. Bloom, author, Student Companion to Eugene O鈥橬eill
