Covering a variety of subjects鈥攆rom the plague and the first danse macabre to the development of perspective and recipes for pigments鈥攖he poems in Cole Swensen's new collection are set in fifteenth-century France and explore the end of the medieval world and its gradual transition into the Renaissance. The collection is loosely based on the calendar illuminations from the Tr猫s Riches Heures, the well-known book of hours, and uses them to explore the ways that the arts鈥攙isual and verbal鈥攊nteract with history, at times prefiguring it, at times shaping it, and at times offering wry commentary or commiseration.
鈥淧hilosophy, suffering, and beauty come romping through this book, with the hard edge of observation. Poems assembled with care and historicism allow us to see through the beauty to the hardship of medieval life. Cole Swensen achieves a rare poetic task assembling from the medieval past the stones of its identity.鈥濃擝arbara Guest
April 3
Curve
now my
love these trees, three
careful arcs
arching away
from
create the space of
the way that turning your back on
The small
