This book offers the most comprehensive and detailed reading to date of Song of Myself. One of the most distinguished critics in Whitman studies, Ed Folsom, and one of the nation鈥檚 most prominent writers and literary figures, Christopher Merrill, carry on a dialog with Whitman, and with each other, section by section, as they invite readers to enter into the conversation about how the poem develops, moves, improvises, and surprises. Instead of picking and choosing particular passages to support a reading of the poem, Folsom and Merrill take Whitman at his word and interact with 鈥渆very atom鈥 of his work. The book presents Whitman鈥檚 final version of the poem, arranged in fifty-two sections; each section is followed by Folsom鈥檚 detailed critical examination of the passage, and then Merrill offers a poet鈥檚 perspective, suggesting broader contexts for thinking about both the passage in question and the entire poem.
鈥淭his is a nearly perfect introduction to Song of Myself, with a great Whitman scholar and a terrific poet who love this breathtaking, funny, heartbreaking visionary poem at the center of American literature, talking to each other and to you as they read it. There couldn鈥檛 be a better guide except perhaps Whitman himself.鈥濃擱obert Hass, author, Time and Materials, Poems 1997鈥2005, National Book Award winner
鈥淚n this book, Ed Folsom and Christopher Merrill are the first to undertake an attentive and detailed reading of every section of Walt Whitman鈥檚 Song of Myself. Their readings offer a gift of wit, wisdom, and delight that will shape conversations about Whitman鈥檚 democratic epic for years to come.鈥濃擝etsy Erkkil盲, Northwestern University
鈥淎n enlivening experiment in contrapuntal criticism. Folsom and Merrill鈥攄istinguished critic and poet鈥攅ach provide section by section commentary on Song of Myself. Bold in form, rich in insight, this is the rare book that will be equally prized by novices and experts. Few books have brought me such pleasure.鈥濃擪enneth M. Price, University of Nebraska-Lincoln
鈥淭his book offers the fresh and illuminating interpretations of a critic and a poet, two longtime readers of Whitman鈥檚 poetry deeply engaged in respinning all fifty-two sections of Song of Myself from their unique and equally perceptive angles of vision. Highly recommended for use at both the undergraduate and graduate levels.鈥濃擩erome Loving, author, Walt Whitman: The Song of Himself
鈥淲hen most critics write about literary texts, they focus on their favorite passages and ignore others that happen to not fit their agenda. Folsom and Merrill do something far different by entering into a dialog with Whitman鈥檚 Song of Myself, taking on the text of Whitman鈥檚 longest and most influential poem in its entirety. Their alternation of lyrical and critical voices makes for an entirely new and exhilarating reading experience that will open many new doors to Whitman鈥檚 greatest work for readers around the world.鈥濃擶alter Gr眉nzweig, author, Constructing the German Walt Whitman
