In early twentieth-century U.S. culture, sex sold. While known mainly for its social reforms, the Progressive Era was also obsessed with prostitution, sexuality, and the staging of women鈥檚 changing roles in the modern era. By the 1910s, plays about prostitution (or 鈥渂rothel dramas鈥) had inundated Broadway, where they sometimes became long-running hits and other times sparked fiery obscenity debates. In Sex for Sale, Katie N. Johnson recovers six of these plays, presenting them with astute cultural analysis, photographs, and production histories. The result is a new history of U.S. theatre that reveals the brothel drama鈥檚 crucial role in shaping attitudes toward sexuality, birth control, immigration, urbanization, and women鈥檚 work.
The volume includes the work of major figures including Eugene O鈥橬eill, John Reed, Rachel Crothers, and Elizabeth Robins. Now largely forgotten and some previously unpublished, these plays were among the most celebrated and debated productions of their day. Together, their portrayals of commercialized vice, drug addiction, poverty, white slavery, and interracial desire reveal the Progressive Era鈥檚 fascination with the underworld and the theatre鈥檚 power to regulate sexuality. Additional plays, commentary, and teaching materials are available at brotheldrama.lib.miamioh.edu.
Plays included:
Ourselves (1913), by Rachel Crothers
The Web (1913), by Eugene O鈥橬eill
My Little Sister (1913), by Elizabeth Robins
Moondown (1915), by John Reed
Cocaine (1916), by Pendleton King
A Shanghai Cinderella (renamed East is West, 1918), by Samuel Shipman and John B. Hymer
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鈥淛ohnson鈥檚 excellent introduction makes this anthology鈥檚 important contribution to American drama even more valuable. One of its very great strengths is the inclusion of plays by writers (such as John Reed) not usually associated with theatre, as well as non-canonical works by playwrights who continued to focus on prostitution and female sexuality (Eugene O鈥橬eill, Rachel Crothers, Elizabeth Robins).鈥濃擪irsten Pullen, author, Actresses and Whores and Like a Natural Woman
鈥淚n this pathbreaking collection, Katie Johnson brings together six long-overlooked Progressive-Era plays about prostitution, spanning experimental theater and Broadway. Thanks to Johnson鈥檚 rich connections between these dramas and race, sexuality, and immigration, these plays show the breadth and depth of the theater鈥檚 often contradictory commentary on one of the most pressing political issues of the turn of the twentieth century.鈥濃擜lison Kibler, author, Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville
