Part detective novel, part cinematic saga, part street-smart narrative, the poems in The Life of a Hunter form a document of expedition that couples individual discovery with communal transformation. Michelle Robinson鈥檚 characters are consigned to particular mechanisms of survival to various forms of physical and psychological evolutions鈥攁s a reaction to their search for an acceptable spiritual condition. The multiple identities of her pressured characters are susceptible to physical transformations that provide 鈥渁 brief jolt of anesthesia, / instead of the cold tenderness of interruption.鈥
Robinson uses the culture of film and fiction as an analogy for the world just out of reach and the world already at hand; preoccupied with what precision 鈥渟ounds like,鈥 the figures in her poems respond to the possibility of future change as well as the fact that change is a constant in their lives. 鈥淒on鈥檛 misunderstand. It was the most cynical year of our era / and anything would have been better than to have been asked / to find something beautiful.鈥 Robinson鈥檚 is a strong young voice, detached and observant yet disturbingly present.
鈥淣o woods here, but The Life of a Hunter nevertheless leaps like a gigantic cat 鈥榝ar from God鈥檚 irresistible ordering of reality,鈥 smack into ours. Michelle Robinson鈥檚 first book is a brilliant and hopelessly antic poetry, riffing off of everything, from the crime novel to Shakespeare, into 鈥榓 trembling non sequitur,鈥 as she puts it early on in 鈥楶epper.鈥 This is a powerful poetic study of the contemporary psyche, including hers, so the playful surfaces yield to emotional places. A vulnerable and refreshing wit emerges, artfully real.鈥濃擩ane Miller, author of A Palace of Pearls
鈥溾業 cannot tell half of what I saw,鈥 writes Michelle Robinson, and then does, vigorously, urgently. It is no accident that her collection鈥檚 title echoes The Night of the Hunter; this book begins and ends with death and perfidy, seen through an unblinking eye. In between, lives and places, films and books, characters and artworks clamor as the 鈥榟unter鈥 traces a path through hell, purgatory, and finally love in all its messy configurations. With moments of laugh-out-loud humor that would be goofy if they weren鈥檛 so mordant, this is a compassionate and fierce collection.鈥濃擲usan Wheeler, author of Ledger and Record Palace
