Here, for the first time in paperback, is the now classic study by Robert Richardson on the Concord Sage鈥檚 energetic, exuberant, and unconventional advice on the idea of writing.
Writing was the central passion of Emerson鈥檚 life. While his thoughts on the craft are well developed in 鈥淭he Poet,鈥 鈥淭he American Scholar,鈥 Nature, 鈥淕oethe,鈥 and 鈥淧ersian Poetry,鈥 less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage鈥檚 energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today.
Emerson advised that 鈥渢he way to write is to throw your body at the mark when your arrows are spent.鈥 First We Read, Then We Write contains numerous such surprises鈥攆rom 鈥渆very word we speak is million-faced鈥 to 鈥渢alent alone cannot make a writer鈥濃攂ut it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson鈥檚 hands, the biographical and historical context in which Emerson worked becomes clear.
Emerson鈥檚 advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything鈥攕trategies, tricks, makeshifts鈥攕peaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with 鈥渢he birthing stage of art,鈥 Emerson鈥檚 counsel on being a reader and writer will be read and reread for years to come.
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"In this brief, elegant, and quietly passionate volume Robert Richardson has produced an invaluable handbook for the writer and aspirant writer, a copy of which should be presented to every student in every writing class around the world."鈥擩ohn Banville, The New York Review of Books
鈥淩obert Richardson has done exquisite service both to Emerson and to the many readers this book will surely attract and leave with a deeper understanding of Emerson the writer. How many of us have read through all the journals to gather his thoughts, often private, uncontained in the essays, about the actual work of turning language into the fertile body of expressed thought? As in his biography of Emerson, The Mind on Fire, we are recipients again of Richardson鈥檚 scholarship, his unflagging, inquisitive, humanist unveiling of the great Emerson鈥檚 thoughts.鈥濃擬ary Oliver
鈥淩obert Richardson鈥檚 extraordinary knowledge of Emerson鈥檚 life and work allows him to stroll back through the marginal notes to Emerson鈥檚 complete oeuvre and distill for us the choicest liquor. Most remarkable is the volume鈥檚 organization. Such a compilation and meditation becomes virtually a new interpretive essay about Emerson as reader and writer. Richardson鈥檚 pithy prose is as engaging as the master鈥檚. We have here something that, from its first page, will instantly delight and instruct both readers and writers. This should be a favorite among all sorts of readers: creative writers who will turn to it to see what a master thought about language and its manifold uses; prose writers who will see in Emerson鈥檚 essays timeless models for their own work; poets who will learn much about words and their fitness for the various works to which we seek to put them.鈥濃擯hilip F. Gura, author, American Transcendentalism: A History
鈥淩ichardson is Emerson鈥檚 foremost biographer, and he has culled the great man鈥檚 work for the kind of specific, timeless instruction that makes the difference between good writing and great writing. This is the book on writing that Emerson would have used to teach his lucky students. The chapter on sentences sparkles, and it alone is worth the purchase. Everyone who wants to learn about writing should read this book.鈥濃擲usan Cheever, author, American Bloomsbury and Desire: Where Sex Meets Addiction
"First We Read, Then We Write is enlightening. Like Rainer Maria Rilke's Letters to a Young Poet and A. Alvarez's The Writer's Voice, it is an essential book that belongs in the hands of every impassioned writer, reader and teacher." 鈥擠ale Salwak, Times Higher Education
Introduction 1
Reading 7
Keeping a Journal 19
Practical Hints 23
Nature 27
More Practical Hints 33
The Language of the Street 45
Words 49
Sentences 53
Emblem, Symbol, Metaphor 59
Audience 65
Art Is the Path 71
The Writer 77
Epilogue 83
Acknowledgments 87
Notes 89
Index 99
